NEWS

‘Resident Evil 7: Biohazard’ Get Hotter In Latest Trailer

Anyone in need for more scare dom? Following its previous trailer, Resident Evil 7: Biohazard has created a sense of anticipation reminiscent to its earlier years. Nonetheless, its latest trailer welcomes you into the Baker household.  And its get more bloody! The family occupies what seems to be a home that hasn’t been used in quite some time, but little did the locals know that the home is filled with an experience you’d rather not come face-to-face with. Resident Evil 7: Biohazard will officially launch on January 24, 2017.  

NEWS

Dwayne Johnson Fights Giant Creatures in Official ‘Moana’ Trailer

In order to rescue her people, dauntless teenager Moana undertakes a dangerous journey in this upcoming new movie from Walt Disney Animation Studios. The teen voiced by Aili’i Cravalho encounters an incredibly strong demigod Mau played by Dwayne “The Rock” Johnson. The pair butt heads along their adventure and fight immense sea creatures from Hawaiian mythology as seen in the official trailer above. Will Moana fulfill her ancient quest and save her people of the Motinui Island? Take a look at the clip above and let us know your thoughts.

NEWS

‘Avatar 2’ Release Date, News & Update

Readers of Awomkenneth.com it is with great joy I bring this news to you! Fans of the most anticipated "Avatar 2" movie are very excited about its release. Are the people of the planet Pandora ever coming back to the big screen? What will happen to Jake Sully and Neytiri?  (more…)

NEWS

TIDAL Reports Huge Loss in 2015

This is bad, real MJ bad! A legal filing via The Wall Street Journal paints a rather dire (albeit incomplete) picture of TIDAL’s current outlook. Faced with heavyweight competitors Apple and Spotify, the artist-owned coalition has struggled to capitalize on its exclusive releases. TIDAL’s parent company, Aspiro, has reported a $28 million USD loss for 2015, the very year JAY Z acquired it. This totals to nearly double the $10.4 million loss it chalked up in 2014. TIDAL’s spending went mostly towards record label royalty fees and its 86-person workforce, accounting fo